Video and Sound Production - Exercises
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⭐ 24/4/2024 - 8/5/2024 (Week 1 - Week 3)
🎀 Yan Zhi Xuan | 0369425
💜 Video and Sound Production | Bachelor of Design (Hons) in Creative Media | Taylor's University
📚 Exercises
TABLE OF CONTENTS
1. READING MATERIAL NOTE
WEEK 1 - NOTE
A Comprehensive Guide to Camera Shots:
Understanding Shot Sizes
Understanding shot sizes is crucial in
filmmaking for crafting compelling visual
stories and conveying emotions, as they shape
the narrative and engage audiences.
Fig. 1.1 Types of Camera Shots by
Size.
Reading Material | Types of Camera Shot Sizes
Extreme Long Shot (ELS): Uses a
small subject to emphasize the vastness of
the environment.
Long Shot (LS): Frames the
subject from a distance, providing context
while capturing the character.
Full Shot: Frames the subject
from head to toe, used in action sequences
or depicting physical movements.
Medium Long Shot (MLS): Captures
the subject from the knees or waist up,
balancing character emotions and spatial
relationships.
Medium Shot (MS):Frames the subject
from the waist or chest up, focusing more on
the character.
Medium Close-Up (MCU): Frames
the subject from the shoulders or chest up,
intensifying focus on the character's
emotions.
Close-Up (CU):Zooms in on a specific
part of the subject, creating intimacy and
emphasizing detail.
Extreme Close-Up (ECU): Focuses
on a minute detail or feature, intensifying
the emotional impact and significance of the
subject.
Exploring Camera Framing Techniques
Camera framing techniques significantly influence the
meaning, emotion, and storytelling in filmmaking, ranging
from single shots to immersive perspectives, influencing
viewer engagement with the narrative.
Fig. 1.2 Types of Camera Shot Framing.
Reading Material | Types of Camera Shot Framing (working with subjects in
the frame)
Single Shot: Focuses on a single subject
or element, used for emphasis, isolation, or
highlighting
Two Shot: Features two subjects within
the frame, used for conversations, interactions, or
character relationships.
Three Shot: Expands on Two Shot, used
for depicting group dynamics, teamwork, or
simultaneous reactions.
Over-the-Shoulder Shot (OTS): Positions
camera behind one character, capturing another's
perspective, enhancing engagement and dialogue
exchanges.
Point-of-View Shot (POV): Simulates a
character's perspective, fostering empathy and
audience engagement.
Guide to Camera Angles in Filmmaking
Fig. 1.3 Types of Camera Shot Angles.
Reading Material |Types of Camera Shot Angles
Eye Level Shot: A shot taken at the
subject's eye level, creating a neutral
perspective.
Low Angle Shot: A shot from below the
subject, making them appear larger and more
powerful.
High Angle Shot: A shot from above the
subject, making them appear smaller and more
vulnerable.
Hip Level Shot: A shot taken at hip level,
often used in westerns during standoffs.
Knee Level Shot: A shot taken at the knee
level, useful for capturing action or movement.
Ground
Level Shot: A shot taken from ground level,
emphasizing the height of the subject.
Shoulder-Level Shot: A shot taken from
shoulder height, typically used in conversations
to maintain perspective.
Dutch Angle Shot: A tilted shot creating a
sense of unease or disorientation.
Birds-Eye-View Shot / Overhead Shot: A shot
from directly above, providing a unique
perspective of the scene.
Aerial Shot / Helicopter Shot: A
high-altitude shot taken from a drone or
helicopter, offering a wide view of the landscape.
Rules of Shot Composition in Film: A
Definitive Guide
Shot composition is a crucial aspect of visual
storytelling, combining elements to advance the
story, reveal character, and create emotion.
Understanding and effectively using shot
composition rules can keep the audience engaged
throughout the filming process.
Reading Material
| Types of Shot Composition in Film
Rule of Thirds: Divides the frame into
nine equal sections for visually balanced
compositions.
Centered Composition: Places the subject
at the center of the frame, highlighting symmetry.
Symmetrical Composition: Mirrors
elements on either side of the frame, creating
balance.
Leading Lines: Prominent visual elements
within the frame that guide the viewer's gaze.
Framing within a Frame: Uses elements
within the scene to frame the main subject.
Dutch Angle: TTilts the camera at an
angle, creating visual tension or disorientation.
Over the Shoulder (OTS): Positions the
camera behind one character, capturing the
perspective of another.
Point of View (POV): Simulates the
perspective of a character, fostering empathy and
audience engagement.
WEEK 2 - NOTE
What is The Three Act Structure — And Why
It Works
The three-act structure is a powerful
tool for storytellers to organize
narrative arcs, guiding audiences from
introduction to resolution, ensuring
compelling and well-paced
storytelling.
Reading Material | Storytelling Acts Overview
Act 1 - Setup: Introduces characters,
setting, and main conflict.
Act 2 - Confrontation: The
protagonist faces obstacles and
challenges. Tension builds as stakes are
raised. Subplots may develop, adding depth and
complicating the protagonist's path.
Act 3 - Resolution: The final act
brings the story to its climax and resolution.
The protagonist confronts the main obstacle,
leading to the decisive outcome. Loose ends
are tied up, and themes are often reinforced.
Resolution provides closure and reveals the
consequences of the protagonist's actions.
How to Write Three Act Structure
Reading Material | A Narrative Using the Three-act
Structure
Act 1 - Setup:
• Introduces the protagonist, setting, and central conflict.
• Hooks the audience with a compelling problem or question.
• Ends with an "inciting incident" setting the protagonist's journey.
Act 2 - Confrontation:
• Longest section with rising action and tension.
• Protagonist faces obstacles and challenges.
• Subplots may emerge, complicating the protagonist's journey.
• Final act marks a turning point or revelation.
Act 3 - Resolution:
• Brings the story to its climax and resolution.
• Protagonist confronts the central conflict, leading to a decisive outcome.
• Provides closure for the audience and shows the consequences of the protagonist's actions.
• Introduces the protagonist, setting, and central conflict.
• Hooks the audience with a compelling problem or question.
• Ends with an "inciting incident" setting the protagonist's journey.
Act 2 - Confrontation:
• Longest section with rising action and tension.
• Protagonist faces obstacles and challenges.
• Subplots may emerge, complicating the protagonist's journey.
• Final act marks a turning point or revelation.
Act 3 - Resolution:
• Brings the story to its climax and resolution.
• Protagonist confronts the central conflict, leading to a decisive outcome.
• Provides closure for the audience and shows the consequences of the protagonist's actions.
WEEK 3 - NOTE
Introduction to Storyboard
Reading Material | What is a Storyboard? The Fundamentals
to Get You Started
Storyboarding in Film, Animation and Other
Visual Media
• A visual tool used to plan sequence of events in a story.
• Consists of illustrated or sketched frames representing specific shots or scenes.
• Serves as a blueprint for the entire project, allowing filmmakers to visualize narrative flow and plan shot composition.
• Breaks down script into individual scenes for visual representation.
• Helps filmmakers make decisions about camera angles, shot types, pacing, and transitions.
• Serves as a communication tool for directors, cinematographers, and production team.
• Mastering storyboarding requires understanding visual storytelling principles and translating narratives into compelling visual sequences.
• A visual tool used to plan sequence of events in a story.
• Consists of illustrated or sketched frames representing specific shots or scenes.
• Serves as a blueprint for the entire project, allowing filmmakers to visualize narrative flow and plan shot composition.
• Breaks down script into individual scenes for visual representation.
• Helps filmmakers make decisions about camera angles, shot types, pacing, and transitions.
• Serves as a communication tool for directors, cinematographers, and production team.
• Mastering storyboarding requires understanding visual storytelling principles and translating narratives into compelling visual sequences.
Storyboarding
Reading Material | Visualize scenes for your film with a
storyboard in Milanote
Milanote: Digital Tools for Storyboarding
• Milanote is an online platform for organizing, visualizing, and sharing storyboards.
• It integrates digital elements like images, text, and notes for efficient scene planning.
• It facilitates real-time revisions and collaboration among team members.
• The intuitive interface allows filmmakers to unleash creativity and bring vision to life.
• Leveraging tools like Milanote elevates storytelling, resulting in more cohesive and visually compelling narratives.
• Milanote is an online platform for organizing, visualizing, and sharing storyboards.
• It integrates digital elements like images, text, and notes for efficient scene planning.
• It facilitates real-time revisions and collaboration among team members.
• The intuitive interface allows filmmakers to unleash creativity and bring vision to life.
• Leveraging tools like Milanote elevates storytelling, resulting in more cohesive and visually compelling narratives.
WEEK 4 - NOTE
Production Stages
Reading Material | Stages of Film Production — Overview
of the Entire Process
Film Production Phases
Development: Involves brainstorming, scriptwriting, financing, and assembling the creative team.
Pre-production: Involves planning before camera roll, including casting, location scouting, storyboard creation, set design, and shooting schedule planning.
Production: Involves capturing scenes and performances according to script and director's vision. Involves working with actors, cinematography, sound recording, and special effects.
Post-production: Involves editing footage, adding visual effects, sound design, composing the score, and reshoots.
Distribution: Involves marketing, arranging for theatrical releases, securing distribution deals, and possibly entering film festivals.
Exhibition: Final stage, where the film is screened for audiences.
Development: Involves brainstorming, scriptwriting, financing, and assembling the creative team.
Pre-production: Involves planning before camera roll, including casting, location scouting, storyboard creation, set design, and shooting schedule planning.
Production: Involves capturing scenes and performances according to script and director's vision. Involves working with actors, cinematography, sound recording, and special effects.
Post-production: Involves editing footage, adding visual effects, sound design, composing the score, and reshoots.
Distribution: Involves marketing, arranging for theatrical releases, securing distribution deals, and possibly entering film festivals.
Exhibition: Final stage, where the film is screened for audiences.
Production Crews (Beginner)
Reading Material | The Roles of The Production
Team
Roles in a Production Team
Producer: Oversees the entire production process from development to distribution. Handles budgeting, hiring key personnel, and ensuring the project stays on track.
Director: Translates the script into a visual and auditory experience.Works closely with the cast and crew.
Screenwriter: Writes the script or screenplay, creating dialogue, characters, and storyline.
Cinematographer: Captures visual elements of the film. Works with the director to determine the look and feel of each shot.
Production Designer: Responsible for the overall visual aesthetic of the film. Works closely with the director to create the right atmosphere and mood for each scene.
Art Director: Implements the visual style of the film. Oversees the construction of sets, acquisition of props, and costumes.
Editor: Assembles footage into a coherent narrative. Works closely with the director to select the best takes, arrange scenes, and add special effects and music.
Sound Designer: Creates and edits the auditory elements of the film.
Producer: Oversees the entire production process from development to distribution. Handles budgeting, hiring key personnel, and ensuring the project stays on track.
Director: Translates the script into a visual and auditory experience.Works closely with the cast and crew.
Screenwriter: Writes the script or screenplay, creating dialogue, characters, and storyline.
Cinematographer: Captures visual elements of the film. Works with the director to determine the look and feel of each shot.
Production Designer: Responsible for the overall visual aesthetic of the film. Works closely with the director to create the right atmosphere and mood for each scene.
Art Director: Implements the visual style of the film. Oversees the construction of sets, acquisition of props, and costumes.
Editor: Assembles footage into a coherent narrative. Works closely with the director to select the best takes, arrange scenes, and add special effects and music.
Sound Designer: Creates and edits the auditory elements of the film.
Production Crews (Advance)
Reading Material | Ultimate Guide to Film Crew Positions
(Jobs & Duties Explained)
Advanced Film Crew Positions
First Assistant Director (1st AD): Manages
the set and executes the director's vision
efficiently. Creates the shooting schedule and
coordinates with department heads.
Second Assistant Director (2nd AD): Assists the 1st AD in managing the set. Handles paperwork, manages extras, and coordinates logistics.
Script Supervisor: Ensures consistency in visual and narrative elements of the film. Tracks continuity, script changes, and shot lists.
Director of Photography (DP): Oversees the camera and lighting departments. Collaborates with the camera operator, gaffer, and grip.
Camera Operator: Operates the camera according to the DP's instructions.
Gaffer: Head of the electrical department. Works with the DP to achieve desired lighting effects.
Key Grip: Head of the grip department. Rigs and supports camera equipment.
Special Effects Supervisor: Oversees creation and execution of practical effects.
Visual Effects Supervisor: Oversees creation and integration of digital effects.
Sound Mixer: Recorded high-quality audio on set.
Second Assistant Director (2nd AD): Assists the 1st AD in managing the set. Handles paperwork, manages extras, and coordinates logistics.
Script Supervisor: Ensures consistency in visual and narrative elements of the film. Tracks continuity, script changes, and shot lists.
Director of Photography (DP): Oversees the camera and lighting departments. Collaborates with the camera operator, gaffer, and grip.
Camera Operator: Operates the camera according to the DP's instructions.
Gaffer: Head of the electrical department. Works with the DP to achieve desired lighting effects.
Key Grip: Head of the grip department. Rigs and supports camera equipment.
Special Effects Supervisor: Oversees creation and execution of practical effects.
Visual Effects Supervisor: Oversees creation and integration of digital effects.
Sound Mixer: Recorded high-quality audio on set.
2. INSTRUCTION
Doc. 2.1 Module Information Booklet of Video and Sound Production.
3. WEEK 1 EDITING EXERCISES: MINTS & DORITOS
Fig. 3.4 Week 1 Editing Exercise - Doritos.
4. WEEK 1 ASYNCHRONOUS CLASS MATERIALS REFLECTION
Reading Material Link: The Ultimate Guide to Camera Shots (50+ Types of Shots and
Angles in Film)
Reflection
The
Ultimate Guide to Camera Shots
is a wonderful resource for filmmakers and lovers alike, providing a thorough
review of over 50 different types of shots and angles utilised in movies. What
impacted me most about this guide is its attention to detail and clarity in
discussing each shot type, which is supported by graphic examples to enhance
understanding. Every aspect of cinematography is covered, from establishing
shots to extreme close-ups, making it an invaluable resource for anyone
wishing to improve their understanding of visual storytelling.
One aspect I particularly like is how the material identifies each shot type
while also explaining its purpose and potential impact on the audience.
Understanding the complex details of various shots enables filmmakers to make
more thoughtful storytelling decisions, whether they want to communicate
intimacy, drama, or spectacle. Furthermore, the guide emphasises the
significance of shot composition in shaping the viewer's perspective and
emotional response to a scene. Furthermore, the guide's emphasis on the
connection between shot size, camera position, and storytelling is insightful.
It emphasises the importance of visual language in expressing narrative ideas
and character dynamics. By mastering the various shot types covered in the
guide, filmmakers may improve their craft and create more immersive cinematic
experiences.
In summary, I learned that camera work in filmmaking involves various
elements such as shot size, framing, focus, angles, movement, and shot
mechanisms. Shot size influences the viewer's perception and engagement with
the narrative while framing directs attention and conveys meaning. Focus
manipulates the viewer's gaze, while camera angles add depth and
perspective, evoking emotions. Camera movement enhances the cinematic
experience, while shot mechanisms like zooms, pans, tilts, and dollies
provide visual effects. Mastering these elements allows filmmakers to create
compelling and immersive cinematic experiences. The
Ultimate Guide to Camera Shots is a fantastic resource for filmmakers of all levels, offering ideas and
inspiration to help them improve their narrative abilities.
5. WEEK 1 ASYNCHRONOUS CLASS QUIZ
Doc. 5.1 Quiz Result - Shot Size, Camera Angle, and Composition.
6. WEEK 2 SHOOTING EXERCISE
Mr. Martin asked us to form
groups of two and go around the
campus to complete a framing
shooting exercise. Below are the
framing shooting shots and the
requirements.
Doc. 6.1 Shooting Exercise -
Framing.
My partner was Ziyang, and we
decided to shoot our framing
exercise in the library. After
shooting the video, we had to edit
it into a compiled video.
Fig. 6.2 Work Progress - Framing Shooting Exercise.
Final Outcome
Fig. 6.3 Final Outcome - Framing Shooting Exercise.
My phone has poor pixels so the picture may look less HD.
7. WEEK 2 EDITING
LALIN
VSP Premiere Pro
tutorial
02: Youtube
Exercises in PPT
PAGE 9: Understand O.S shot to answer the question.
Fig. 7.1 Page 9 with answer.
PAGE 10: Unsung Hero, and name the shot size of each shot in PAGE 11-14.
Fig. 7.2 Page 10-14 with answers.
PAGE 15: Research on “Depth of field”, and answer the questions in your blog under exercises.
Fig. 7.3 Page 15 with answers.
PAGE 16: Research on “180 Degree rule (Static Screen Direction)”, and answer the questions in your blog under exercises.
Fig. 7.4 Page 16 with answers.
PAGE 17: Research on “Dynamic Screen Direction”, and answer the questions in your blog under exercises.
Fig. 7.5 Page 17 with answers.
We have to edit the footages and graphics with audio ourselves by referring to the given storyboards. The following are the given storyboards, footages and graphics.
Fig. 7.7 Given Footages & Graphics.
Fig. 7.8 Work Progress - Editing Practise: Lalin.
Final Outcome
Fig. 7.9 Final Outcome - Lalin (final cut 35s).
8. WEEK 2
ASYNCHRONOUS
CLASS
MATERIALS
QUESTIONS
Reading
Material
Link:
What
is
The
Three
Act
Structure
—
And
Why
It
Works
Lalin
1.
Which
part is
act 1,
act 2,
act 3
respectively? Describe
each act
with ONE
paragraph
only.
Act
1
sets
up
the
character
of
Lalin
as a
young
girl
facing
bullying
and
insecurity
in
Thailand.
It
establishes
her
desire
to
escape
and
reinvent
herself,
leading
to
her
decision
to
study
abroad
in
Sapporo,
Japan,
where
no
one
knows
her
and
can
live
under
a
new
identity.
This
act
introduces
the
themes
of
identity,
social
pressures,
and
the
allure
of
social
media.
In
Act
2,
Lalin's
change
begins
as
she
adapts
to
her
new
life
in
Japan.
She
develops
an
online
persona
and
becomes
an
internet
idol
known
for
her
appealing
appearance.
However,
beneath
the
surface,
she
fights
with
self-acceptance
and
the
pressure
to
keep
up
her
appearance.
The
performance
examines
the
conflict
between
Lalin's
online
presence
and
her
hidden
insecurities.
Act
3
highlights
the
consequences
of
Lalin's
lie
as
she
confronts
the
reality
of
her
situation.
Her
inner
conflict
develops
as
she
confronts
the
disparity
between
her
online
identity
and
her
genuine
self.
Ultimately,
she
must
confront
her
fears
and
accept
sincerity
to
achieve
inner
peace
and
self-acceptance.
2. What
is the
inciting
incident
in the
movie?
The
inciting
incident
occurs
when
Lalin,
who
has
been
facing
constant
bullying
and
social
pressure
in
Thailand,
decides
to
start
over
by
studying
in
Sapporo,
Japan.
This
decision
sets
the
foundation
for
her
journey
of
self-discovery
and
reinvention.
3. What
is the
midpoint
scene in
the
movie?
The
midpoint
scene
depicts
Lalin's
online
persona
at its
greatest
popularity,
with her
social
media
sites
receiving
considerable
attention
and
admiration.
Despite
the
external
acceptance,
Lalin's
inner
suffer
worsens
as she
struggles
with the
differences
between
her
online
persona
and her
real
identity.
4. What
is the
Climax
scene in
the
movie?
The climax
scene takes
place when
Lalin,
overcome
by the
weight of
her lie
and the
pressure
to keep
her
appearance,
finally
meets her
inner
fears. She
realises
that true
happiness
can only
be reached
by
embracing
her actual
self,
which
leads to a
moment of
clarity
and
relief.
5.What
is the
theme of
the
movie?
tThe theme
of "Lalin"
covers the
complexity
of
identity,
the
pressure
to conform
to
cultural
beauty
standards,
and the
implications
of leading
a life
based on
appearances
and
dishonesty.
It delves
into the
value of
self-acceptance,
authenticity,
and
finding
inner
peace in
the midst
of
external
pressures
and
expectations.
Everything,
Everywhere,
All
At
Once.
1.
Which
part
is
act
1,
act
2,
act
3
respectively? Describe
each
act
with
ONE
paragraph
only.
The
opening
image
establishes
a
setting
for
Act
1,
which
introduces
us
to
Evelyn
Wang
and
her
seemingly
humdrum
life,
overburdened
by
responsibilities
and
unaware
of
the
wealth
surrounding
her.
The
concept
is
introduced
when
Evelyn
struggles
with
her
sense
of
purpose
and
perspective
on
life.
The
turning
point
happens
when
Alpha
Waymond
announces
the
existence
of
the
multiverse
and
the
peril
it
faces,
throwing
Evelyn
into
a
another
world.
Act
2
follows
Evelyn's
journey
through
the
multiverse
to
meet
the
threat
of
Jobu
Tupaki.
She
embraces
her
newfound
skills,
deals
with
internal
and
external
challenges,
and
discovers
the
connection
of
her
identities
across
universes.
The
halfway
scenario
occurs
when
Evelyn
must
decide
whether
to
completely
embrace
her
potential
or
succumb
to
the
chaos
of
the
multiverse.
In Act 3, Evelyn faces the ultimate conflict with Jobu Tupaki, in which she must confront her anxieties, reunite with her daughter, and save the universe. The climax scenario takes place when Evelyn chooses kindness and empathy over hopelessness, eventually saving Jobu/Joy and restoring balance to the multiverse.
In Act 3, Evelyn faces the ultimate conflict with Jobu Tupaki, in which she must confront her anxieties, reunite with her daughter, and save the universe. The climax scenario takes place when Evelyn chooses kindness and empathy over hopelessness, eventually saving Jobu/Joy and restoring balance to the multiverse.
2.
What
is
the
inciting
incident
in
the
movie?
The
movie's
inciting
incident
occurs
when
Alpha
Waymond
reveals
to
Evelyn
the
existence
of
the
multiverse
and
the
current
danger
it
faces
from
Jobu
Tupaki.
This
discovery
throws
Evelyn
into
a
new
reality,
pushing
her
on
a
journey
to
confront
the
threat
and
realise
her
full
potential.
3.
What
is
the
midpoint
scene
in
the
movie?
The
midpoint
scene
happens
when
Evelyn
must
decide
whether
to
completely
embrace
her
potential
or
fall
into
the
chaos
of
the
multiverse.
This
occurs
when
Alpha
Gong
Gong
considers
destroying
Evelyn
to
keep
her
from
becoming
like
Jobu
Tupaki,
causing
Evelyn
to
confront
her
own
identity
and
choices.
4.
What
is
the
Climax
scene
in
the
movie?
The
climax
scene occurs
when
Evelyn
confronts
Jobu
Tupaki
in a
final
fight,
forcing
her
to
choose
between
creating
chaos
or
embracing
kindness
and
empathy.
This
scene marks
the
end
of
Evelyn's
quest,
in
which
she
confronts
her
fears,
addresses
with
her
daughter,
and
eventually
saves
the
multiverse.
5.What
is
the
theme
of
the
movie?
The
movie's
theme
is
around
self-discovery,
perspective,
and
the
interconnection
of
everything.
Through
Evelyn's
journey,
the
film
emphasises
the
importance
of
embracing
one's
true
self,
finding
meaning
in
seemingly
everyday
moments
of
life,
and
acknowledging
the
impact
of
our
actions
on
ourselves
and
the
world
around
us.
9. WEEK 2
ASYNCHRONOUS
CLASS
QUIZ
Doc.
9.1 Quiz
Result
- Three-act
Story
Structure.
10. WEEK
3
ASYNCHRONOUS
CLASS
MATERIALS
REFLECTION
Reading
Material
Links:
1.
What
is
Storyboard?: What
is
a
Storyboard?
The
Fundamentals
to
Get
You
Started
2.
How
to
Make
Storyboard: Visualize
scenes
for
your
film
with
a
storyboard
in
Milanote
Reflection
After
reading
both
resources,
it
is
clear
that
storyboarding
is
an
essential
component
of
visual
storytelling,
providing
a
methodical
technique
for
conceptualising
and
organising
the
narrative
flow
of
a
film.
Whether
using
classic
drawing
methods
or
digital
tools
such
as
Milanote,
the
primary
goal
remains
the
same:
to
graphically
plan
out
the
sequence
of
scenes
and
images,
creating
a
cohesive
and
interesting
narrative.
Storyboards
serve
as
blueprints
for
filmmakers,
giving
them
a
real
framework
to
experiment
with
different
visual
elements,
including
camera
angles,
shot
compositions,
and
pacing,
before
production
begins.
By
incorporating
digital
tools
like
Milanote
into
the
storyboarding
process,
filmmakers
can
improve
productivity
and
communication
among
team
members.
The
straightforward
layout
of
Milanote
makes
it
easy
to
organise
images,
text,
and
notes,
allowing
for
seamless
collaboration
and
real-time
edits.
This
digital
technique
not
only
speeds
up
the
storyboarding
process,
but
also
encourages
greater
creativity
and
precision,
allowing
filmmakers
to
experiment
with
new
ideas
and
enhance
their
vision
together.
These
digital
technologies
act
as
catalysts
for
invention,
allowing
filmmakers
to
transform
their
ideas
into
appealing
visual
tales
that
are
clear
and
coherent.
In
summary,
the
combination
of
traditional
storyboarding
approaches
and
current
digital
platforms
is
the
combination
of
creativity
and
technology
in
the
filmmaking
process.
By
embracing
these
tools,
filmmakers
may
use
visualisation
to
better
plan,
communicate,
and
execute
their
creative
vision,
resulting
in
more
cohesive
and
visually
appealing
storylines.
Whether
sketching
on
paper
or
storyboarding
in
Milanote,
the
primary
goal
remains
the
same:
to
translate
written
narratives
into
grabbing
visual
scenes
that
engage
audiences
and
bring
stories
to
life
on
screen.
11. WEEK
3
ASYNCHRONOUS
CLASS
QUIZ
Doc.
11.1 Quiz
Result
- Storyboard
in
Film
Making.
12.
WEEK
4
ASYNCHRONOUS
CLASS
MATERIALS
REFLECTION
Reading
Material
Links:
1.
Production
Stages: Stages
of
Film
Production
—
Overview
of
the
Entire
Process
2.
Production
Crews
(Beginner):
The
Roles
of
The
Production
Team
3.
Production
Crews
(Advance):
Ultimate
Guide
to
Film
Crew
Positions
(Jobs
&
Duties
Explained)
Reflection
I
learned
that the
stages
of
film
production
provide
an
interesting
insight
into
the
complexities
of
turning
a
story
into
a
cinematic
masterpiece.
The
process,
as
detailed
in
StudioBinder's
overview,
consists
of
three
stages:
pre-production,
production,
and
post-production,
with
each
stage
requiring
thorough
planning
and
execution.
The
pre-production
prepares
the
framework
for
filming
by
developing
scripts,
casting,
and
scouting
locations.
The
production
brings
the
screenplay
to
life
by
coordinating
the
performers,
crew,
and
equipment
to
capture
the
vision
on
camera.
Finally,
the
post-production
polishes
the
film
before
release
by
adding
final
touches
such
as
editing,
sound
design,
and
visual
effects.
This
thorough
book
reveals
the
collaborative
efforts
and
creative
processes
that
occur
at
every
level
of
filmmaking.
Moreover,
by
reading
the
second
material,
I
understood the
roles
of
the
production
team
is
critical
for
beginners looking
to
break
into
the
film
production
industry.
GovTech's
summary
is
brief,
highlighting
essential
professions
such
as
director,
producer,
cinematographer,
and
production
assistant.
Each
function
brings
something
essential
to
the
production
process,
from
creating
the
creative
vision
to
ensuring
logistical
and
administrative
chores
operate
successfully.
This
fundamental
understanding
not
only
builds
respect
for
the
collaborative
aspect
of
filmmaking,
but
it
also
provides
useful
insights
into
various
career
options
within
the
business.
Furthermore,
by
reading
the
third
material,
I
realised
that
the advanced
production
teams
reveal
a
wide
range
of
specialised
responsibilities,
each
critical
to
the
smooth
execution
of
a
film.
StudioBinder's
Ultimate
Guide
to
Film
Crew
Positions
provides
a
thorough
examination
of
these
roles
and
their
responsibilities.
From
the
gaffer
directing
lighting
sets
to
the
script
supervisor
ensuring
continuity
and
the
production
designer
creating
visual
aesthetics,
each
position
necessitates
a
combination
of
technical
expertise,
creativity,
and
good
communication.
This
comprehensive
handbook
emphasises
the specialisation
of
film
production,
showing
the
collaborative
efforts
that
propel
cinematic
storytelling
to
new
heights.
13. WEEK
4
ASYNCHRONOUS
CLASS
QUIZ
Doc. 5.1 Quiz Result - Production Crews.
Doc. 5.2 Quiz Result - Production Stages.
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